Electric Entertainment: Funding, Investors & Team (Sep 2026)
Electric Entertainment is a full service film, television, and new media production company and studio headed by veteran producer Dean Devlin along with Marc Roskin and Rachel Olschan. Electric recently wrapped its fifth season of TNT’s action-packed drama “Leverage.” Electric’s other television credits include TNT’s “The Librarian” starring Noah Wyle which was the highest rated movie on cable that year (2004), its sequel, “The Librarian: Return to King Solomon’s Mines” and the third installment of the franchise, “The Librarian: Curse of the Judas Chalice.” Along with Bryan Singer’s Bad Hat Harry production company, Electric produced SyFy Channel’s “The Triangle,” which won an Emmy for its Visual Effects, and was the highest-rated miniseries on the cable channel since “Steven Spielberg Presents TAKEN” (2002). Electric’s most recent film projects include MGM’s Flyboys and Sony Picture Classics’ politically-charged documentary Who Killed the Electric Car?, which was nominated by the Broadcast Film Critics Association for Best Documentary Feature. Electric launched Electric Visual Effects (EFX), which uses the new division as its in-house effects arm allowing the filmmakers they work with to stretch their dollars way beyond traditional effects budget boundaries. The EFX crew has been assembled from industry veterans Devlin had previously collaborated with on his global box-office hits including Independence Day, Godzilla, The Patriot, and Eight Legged Freaks. EFX is headed by veteran visual effects producer Mark Franco, whose career spans over twenty-five years and includes productions such as Titanic, Batman & Robin, Armageddon and How the Grinch Stole Christmas. Electric recently launched its international theatrical film and television sales and acquisitions division, which is headed by Sonia Mehandjiyska. Devlin is currently in pre-production on his feature directorial debut, GEOSTORM, which he is producing with Skydance Pictures’ David Ellison and Dana Goldberg and his Electric Entertainment team of Marc Roskin and Rachel Olschan.
Electric Entertainment has raised $120M across 2 funding rounds on record, the most recent an undisclosed round of $20.0M announced in Oct 2025.
That round is above the $2.6M median round size for Media and Entertainment companies tracked on FundedIQ over the last two years.
Electric Entertainment Company Profile and Key Stats
Latest funding round on record: Oct 2025.
Electric Entertainment Funding Rounds
Electric Entertainment raised $100M in a Debt Financing announced in Aug 2022.
3.2 years later, an undisclosed round of $20.0M was announced in Oct 2025.
Electric Entertainment Founders and Leadership Team
No contact details are on record for this team yet.
Electric Entertainment Funding Compared to Other Media and Entertainment Startups
Electric Entertainment's latest round of $20.0M is above the median round in Media and Entertainment. Medians cover the last 24 months of disclosed rounds.
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Electric Entertainment Funding FAQs
What does Electric Entertainment do?
Electric Entertainment is a full service film, television, and new media production company and studio headed by veteran producer Dean Devlin along with Marc Roskin and Rachel Olschan. Electric recently wrapped its fifth season of TNT’s action-packed drama “Leverage.” Electric’s other television credits include TNT’s “The Librarian” starring Noah Wyle which was the highest rated movie on cable that year (2004), its sequel, “The Librarian: Return to King Solomon’s Mines” and the third installment of the franchise, “The Librarian: Curse of the Judas Chalice.” Along with Bryan Singer’s Bad Hat Harry production company, Electric produced SyFy Channel’s “The Triangle,” which won an Emmy for its Visual Effects, and was the highest-rated miniseries on the cable channel since “Steven Spielberg Presents TAKEN” (2002). Electric’s most recent film projects include MGM’s Flyboys and Sony Picture Classics’ politically-charged documentary Who Killed the Electric Car?, which was nominated by the Broadcast Film Critics Association for Best Documentary Feature. Electric launched Electric Visual Effects (EFX), which uses the new division as its in-house effects arm allowing the filmmakers they work with to stretch their dollars way beyond traditional effects budget boundaries. The EFX crew has been assembled from industry veterans Devlin had previously collaborated with on his global box-office hits including Independence Day, Godzilla, The Patriot, and Eight Legged Freaks. EFX is headed by veteran visual effects producer Mark Franco, whose career spans over twenty-five years and includes productions such as Titanic, Batman & Robin, Armageddon and How the Grinch Stole Christmas. Electric recently launched its international theatrical film and television sales and acquisitions division, which is headed by Sonia Mehandjiyska. Devlin is currently in pre-production on his feature directorial debut, GEOSTORM, which he is producing with Skydance Pictures’ David Ellison and Dana Goldberg and his Electric Entertainment team of Marc Roskin and Rachel Olschan.
How much funding has Electric Entertainment raised?
Electric Entertainment has raised $120M across 2 rounds on record. The most recent is an undisclosed round of $20.0M announced in Oct 2025.
When did Electric Entertainment last raise funding?
Electric Entertainment's most recent funding round on record is an undisclosed round of $20.0M, announced in Oct 2025.
Who is the CEO of Electric Entertainment?
Dean Devlin is listed as CEO at Electric Entertainment.
Where is Electric Entertainment headquartered?
Electric Entertainment is based in Los Angeles, California, United States.
How many employees does Electric Entertainment have?
Electric Entertainment is in the 11-50 employee band.
How does Electric Entertainment's funding compare to other Media and Entertainment startups?
Electric Entertainment's latest round of $20.0M is above the $2.6M median round size for Media and Entertainment companies on FundedIQ across 382 tracked companies over the last two years.
About FundedIQ's Electric Entertainment Funding Data
FundedIQ tracks announced funding rounds and refreshes this profile every week. Round dates, stages and amounts are normalised to a single format, converted to US dollars, and de-duplicated: two records of the same round announced days apart are merged, and two genuinely different rounds are kept apart on the amounts they disclose. Amounts shown are the disclosed figures only — a round announced without a number is listed and excluded from the total rather than estimated.
Employee counts are reported bands, not exact headcounts. Founder and executive names carry the job title on record. Anything we do not hold for Electric Entertainment is left off this page rather than filled in.
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